The First Race Recording Is Largely To Be Considered By This Black Vaudeville Performer Who Recorded In 1920 For Okeh Records. (2023)

1. [PDF] Chapter Outline

  • Replaced Sophie Tucker, a popular Jewish American vaudeville star who specialized in “Negro songs,” in a recording session for the Okeh. Record Company. 19.

2. The Black Swan: A History of Race Records - All About Jazz

  • Jul 8, 2019 · Despite the actual Mamie Smith, Okeh chronology, "Crazy Blues" was considered the first Race Record in American recording. The original ...

  • The Black Swan: A History of Race Records article by Karl Ackermann, published on July 8, 2019 at All About Jazz. Find more Under the Radar articles

3. Race Music |

  • In 1920 Mamie Smith, a female African American singer little known outside of vaudeville, recorded the song "Crazy Blues" for the small OKeh record label.

  • Race MusicPrior to the emergence of rhythm & blues as a musical genre in the 1940s, "race music" and "race records" were terms used to categorize practically all types of African-American music. Race records were the first examples of popular music recorded by and marketed to black Americans. Reflecting the segregated status of American society and culture, race records were separate catalogs of African-American music. Source for information on Race Music: St. James Encyclopedia of Popular Culture dictionary.

4. Blues Record Labels – Welcome to

  • There were some exceptions, including George W. Johnson, a whistler who is widely believed to be the first Black artist ever to record commercially, in 1890.

  • A study of the pre-war American recording industry producing recordings primarily intended for the African American market (termed “Race Records” – i.e. to refer to African Americans as a whole race of people).

5. Mojos Working: A History Of Recorded Blues - uDiscover Music

6. 100 Years Ago, 'Crazy Blues' Sparked a Revolution for Black Women Fans

  • Missing: vaudeville | Show results with:vaudeville

  • Mamie Smith’s song wasn’t just an artistic breakthrough. It proved Black women and girls bought records, paving the way for today’s fan armies.

7. Black trailblazers: How blues icon Mamie Smith paved way for Beyoncé

  • Missing: race | Show results with:race

  • Here's how Mamie Smith paved the way for Ella Fitzgerald, Billie Holiday, Beyoncé and more of your favorite Black female recording artists.

8. [PDF] The Recording Industry's Influence on Vernacular Traditions 1920-1960

  • tradition, it was not familiar to urban black entertainers like vaudeville singer “Ma”. Rainey. ... Following the emergence of race recordings in the early 1920s, ...

9. How the 78 rpm record helped popularise jazz

  • Nov 1, 2021 · Okeh Records was one of the first labels to break with the status quo by recording African-American artist Mamie Smith singing “Crazy Blues” in ...

  • Saxophonist Johnny Griffin grew up in Chicago in the 1930s, and recalled: “… there was always music in the house, jazz, gospel, or whatever. Especially jazz records.” The invention of the phonograph enabled music to be preserved, reproduced and replayed for the first time. When w…

10. [PDF] American Popular Music

11. In 1920 Mamie Smith's Crazy Blues paved the way for Black Music

  • Feb 19, 2020 · Smith was also the first African American female popular singer to lead a commercial recording. Explore Upbeat Records. The disc flew off ...

  • Mathematical sticklers may demur, but I take pleasure in declaring the twenties have finally arrived again. The ringing in of a new decade—a twenties that may

12. The forgotten story of America's first black superstars - BBC Culture

  • Feb 18, 2021 · On 10 August, Smith and an ad hoc band called the Jazz Hounds recorded Bradford's Crazy Blues. Thus the first black singer to record anything ...

  • In the 1920s US, glamorous, funny black female singers were the blues' first – and revolutionary hitmakers. Why were they then relegated to the sidelines, asks Dorian Lynskey.

13. Forward to the PastRace Music in the 1920s - California Scholarship Online

  • In February 1920, after almost ten years spent touring in vaudeville shows, hustling his songs, and angling for an opening in the rapidly changing world of ...

14. [PDF] ARSC Journal - Association for Recorded Sound Collections

  • the "race record" market, especially with recordings by female blues performers or female-male vaudeville duets backed by small jazz groups. The first ...


  • It began as dance music in the red-light districts of African American communities in St. Louis and New Orleans years before being published as popular sheet ...

  • Welcome!

16. American folk music | Music 345: Race, Identity, and Representation in ...

  • Mamie Smith's record paved the way for countless black musicians to break into the blues market. Take five minutes and listen to noted activist Angela Davis ...

  • Posted on October 11, 2021 by Tess McCarty

17. Birth of the Blues - Ballad of America

  • In 1920, Okeh Records released the first blues recording by an African American singer. It launched black performers to new levels of success, finally ...

  • This article focuses on the early development of blues and its emergence as a popular music form in the 1910s. Includes playlists.


  • Cohan rose from the Four Cohans family vaudeville act to create a brash new style of American musical comedy which placed a greater emphasis on the dramatic ...

  • Back to table of Contents

19. Jus' Blues Museum - Jus' Blues Music Foundation

  • Prather, in Toccoa, Habersham County, Georgia was a blues singer and vaudeville performer, best known for her blues performances and recordings. She was billed ...

  • Nurturing The Souls Of The Blues

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